Antiques Magazine, a cornerstone in the world of antique collecting, has been captivating readers since its inception in 1922. With a significant redesign in 2009, the magazine continues to evolve, offering a blend of historical insights and contemporary trends. Published by Brant Publications, founded by Peter M. Brant in 1984, the magazine boasts a readership of 150,000. This issue delves into the nuances of modernism, the legacy of Lurelle Guild, and the hidden treasures of European cabinets, making it a must-read for antique enthusiasts.
Antiques Magazine was first published in 1922 and has since become a leading authority in the field of antique collecting. The magazine underwent a significant redesign in 2009, enhancing its appeal and accessibility. The head-of-title note "The Magazine" first appeared in January 1928, but was not used from August 1952 to February 1971. Today, it is published by Brant Publications, a company founded in 1984 by Peter M. Brant, a prominent newsprint tycoon and art collector.
With a readership of 150,000, Antiques Magazine has established itself as a trusted resource for antique collectors and enthusiasts. The magazine's influence extends beyond the United States, offering insights into both American and international antique markets. This global perspective is essential for a publication dedicated to the diverse and ever-evolving field of antiques.
While the magazine primarily focuses on the American antiques scene, it also covers international trends and markets. This broad outlook is crucial for understanding the global nature of antique collecting. American collectors, in particular, have a deep appreciation for the cultural output of older art and design cultures, in addition to domestic traditions.
Antiques Magazine is known for its forward-looking approach, covering new and emerging markets alongside traditional Eurocentric circuits. Recent trends include a growing interest in African antiques among a new multicultural generation and the rise of East-to-East markets. This diverse coverage makes the magazine an informative and accessible resource for a wide range of readers.
One of the standout articles in this issue is James Gardner's "The Anxiety of Modernism." Inspired by the major new exhibition "Vienna 1900: Style and Identity" at the Neue Galerie in New York, Gardner's piece explores the differences between the Viennese movement and contemporary developments in Paris. Rather than simply explaining the works of Klimt and his contemporaries, Gardner places the Viennese movement within the context of Europe's oldest and most controlling imperial culture.
Another fascinating article is John Stuart Gordon's piece on Lurelle Guild, a renowned American product designer. Guild's modern designs of the 1930s often pay homage to much older design movements, making his work highly desirable among collectors. Gordon's article provides a comprehensive look at Guild's contributions to the world of design.
For those who appreciate the finer details, Danielle O. Kisluk-Grosheide's article on cabinets, cases, and boxes is a must-read. These items were essential in well-appointed European households from the Middle Ages to the early twentieth century. Kisluk-Grosheide's article reveals the hidden gems and intricate craftsmanship that make these pieces so fascinating.
Antiques Magazine continues to be a vital resource for antique enthusiasts, offering a blend of historical insights and contemporary trends. The March/April 2011 issue is no exception, featuring in-depth articles on modernism, design, and the hidden treasures of European cabinets. With its global perspective and forward-looking approach, the magazine remains an essential read for anyone passionate about antiques.
This article has been crafted to provide a comprehensive and engaging overview of Antiques Magazine's March/April 2011 issue. For more information on the topics covered, please refer to the cited sources.
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