NEW YORK, NY – Chelsea’s Agora Gallery will feature the original work of Siberia-born UK-based photographer Iryna Brown in Illumination: An Exhibition of Fine Art Photography. The exhibition will open on November 8, 2016 and run through November 30, 2016 with an opening reception on Thursday, November 10 from 6-8 PM.
Iryna Brown's photography is a lesson in creative precision. Brown works almost exclusively within a studio to create still lifes that exercise high stylization as a means of storytelling influenced by magical realism. The background is often a theatrical curtain of black or white. Objects are placed deliberately to lead the eye through the composition, as if through a narrative. The scenes are lit with a dramatic flair that underscores the artificiality of the tableau while at the same time making it clearer and more real for the viewer.
For subjects, Brown uses classic signifiers of romance and mystery. She photographs pearls winding around roses, leather-bound books arrayed across vintage maps, card houses, and dried flowers. The human presence is a key figure, though only present off-camera, implied solely with objects: a half-finished cup of tea or a candle left burning.
Brown was born in Angarsk in Siberia, Russia and has lived in England since 2009. In addition to being a fine artist, she is a published author.
Exhibition Dates: November 8, 2016 – November 30, 2016
Reception: Thursday November 10, 2016, 6:00pm - 8:00pm
Gallery Hours: Tues-Sat 11-6
Gallery Location: 530 West 25th St, Chelsea, New York
Event URL: http://www.agora-gallery.com/artistpage/Iryna_Brown.aspx
Featured Artists:
Illumination: An Exhibition of Fine Art Photography
Cynthia Chace Gray | Florian Mueller | Iryna Brown | Bree Castillau | Mary Pearson | Kathleen Messmer | Steven Anggrek | Antonio Biagiotti
About the Exhibition
The modern photographer in Illumination: An Exhibition of Fine Art Photography
Illumination: An Exhibition of Fine Art Photography opens this November at Agora Gallery. The exhibition spotlights eight premier contemporary photographers who play with visual expectations and technical limitations. Three artists take on the landscape format: there are horizons filtered through layers of atmospheric gauze, otherworldly plains shot in high detail, and cityscapes framed as endless, depthless fields of pure pattern. In black-and-white and color, the viewer is offered visions of the world as yawning or claustrophobic, logical or chaotic, dreamy or cold. Alongside these are the work of an accomplished animal photographer who creates psychological portraits with her naturalistic works. Another featured photographer builds her own still life compositions, but subverts their classical realism for her unique narrative aims, and yet the quiet dreamlike works of another photographer bring a unique balance to the collection. Rounding out the exhibition are two abstract artists who use their technical prowess and historical knowledge of process to create photographs of pure light and pattern. Though the interests run far and wide among these artists, the show is an unambiguous message of modernity.
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