NEW YORK, NY – Chelsea’s Agora Gallery will feature the original work of Barcelona artist Vanitira in The Saturated Palette. The exhibition opens March 10, 2017 and runs through March 30, 2017 with an opening reception on Thursday, March 16 from 6-8 pm.
Vanitira’s digital paintings have a depth and texture that are not normally seen in digitally created work. While sharp lines and geometric patterns are present, his images also possess a natural, handmade quality. Printing his paintings on canvas, he creates a body of work that is a hybrid of digital and traditional art, mapping out a territory that illustrates the best of both forms. “What differentiates my work,” he says, “is that despite the digital technique used, the result is a work in which you can appreciate the nuances, shades, textures and everything that can be seen in an oil painting.”
The artist builds his images from many sources, including drawings, photographs and previously unfinished artworks. Through the process of combining his materials, Vanitira undertakes a journey of discovery, using his distinctive sense of color, line and form to bring out the meanings that lie beneath their surfaces. In particular, his skill at handling colors in subtle, unexpected ways gives each painting a power and energy the powerfully pull the viewer in. Vanitira lives and works in Barcelona.
Exhibition Dates: March 10, 2017 – March 30, 2017
Reception: Thursday, March 16, 6:00pm - 8:00pm
Gallery Hours: Tues-Sat 11-6
Gallery Location: 530 West 25th St, Chelsea, New York
Event URL: http://www.agora-gallery.com/artistpage/Vanitira.aspx
Featured Artists:
The Saturated Palette
Olivia Kapoor | Ping Lian Yeak | Vanitira | Jessica Watson-Thorp | Susana Rapallo | Han-Yuan Yu | Maria Fernandez Gold | Irina Goryunova | Chen Jin
About the Exhibition
The Saturated Palette
Agora Gallery is pleased to present The Saturated Palette, a riotous new group exhibition that explores an array of intense visual expressions. All ten artists featured here employ an extreme of some sort, be it tone, shape, texture – or, more frequently, a combination of several. Color is of course the main player, and the exhibition’s large range offers examples of how it is deployed to depict people, places, and ideas. We see it in bright, playful bursts, but also in more unexpected ways. In some works, the standout color is used only sparingly in the frame; in others, it serves to highlight an element of the subject matter, or even to underline the artist’s larger idea about pattern or line. With oil, pastels, and encaustic, several artists show us how a canvas can include only subtle or darker colors that nevertheless completely infuse the image. In this exhibition, techniques are taken to their limit and the curious are rewarded.
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