Nana sequence - Ai Yazawa’s anime, rated for 18 and up

May 24
07:24

2010

Tomas

Tomas

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The entire sequence is pretty. There isn't an excessive amount of motion to point out off fancy animation

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The entire sequence is pretty. There isn't an excessive amount of motion to point out off fancy animation,Nana sequence - Ai Yazawa’s anime, rated for 18 and up Articles so the collection shines in different ways. The clothes are a treat to watch. There's numerous attention to detail, and the series is visually interesting. Proper from the beginning, with the nostalgic narration, it is hard not to wonder what happens to those two characters. Two strangers meet on a train, it's romantical and holds so many potentialities, so why does it feel as if their relationship is doomed from the start? There's one thing bittersweet concerning the opening scenes that sets a mystery-shrouded tone that actually would not fade by the end of the first eleven episodes. No matter it is, and whatever might occur, that uncertainty will maintain you hooked until you know how it all turns out. Nana is rated for big children, 18 and up. Nothing is particularly graphic, but there are obvious references to cartoon intercourse, and the themes in this story are for older folks.

Nana is pink and sort of girly and laden with emotion. This isn't a foul thing, though. It was worrying, at first, for a lady like me who drools over action and can commerce cookies for a very good laugh. With episodes spent on backstories and the strong give attention to relationships, Nana could have gone the way in which of a foul romance novel. That, mercifully, does not happen. Nana is all drama and relationships, but it takes the time to build the characters. What occurs to them, their sadness, laughter, weaknesses, little triumphs, and uncertainties feel believable. Rich characters and a light humorousness saves the sequence from getting too mired in tangled loves. There are hints at more to come back, made much more hintish and prodding by the nostalgic narration. Everybody knows one thing's going to go down, it is only a question of what.

Nana Osaki and Nana Komatsu, each twenty years old, meet on a practice certain for Tokyo. It nearly sounds like a nasty joke, but Destiny has more in store for these younger girls than a one-sided conversation on the train. Nana Komatsu, a flighty dreamer, is on her approach to the town to fulfill up along with her boyfriend, Shoji. Nana Osaki, the way more sensible and grounded of the two, despite choosing a moderately difficult career path, plans to pursue a singing career in Tokyo. They are saying opposites appeal to, yes? Opposites or no, there's an attraction between the Nanas that pulls them together in a coincidence that's virtually too coincidental to be true. As near-strangers sharing a dwelling house, the two younger women get alongside surprisingly properly as Nana Komatsu makes it her private quest to do all she will to be Nana Osaki's own private cheerleader. In some ways, it is arduous to not feel sorry for Nana Osaki.

One awkward bit, although, that had me groaning in frustration was the dreaded recap episode. After what amounted to watching the primary episode twice, having the field set rehashed in a painfully embarrassing "after hours chat" with some of the supporting characters was too much. The threat of extra recap episodes is, well, threatening. Though, the episode is nicely atmospheric, set in a sepia-toned bar...so no less than it is pretty.

The repetition is a bit of particular and there are some melodramatic lines on this series that had me snorting in a very unladylike style, however all that apart, Nana is definitely worth watching. It is pink and cleaning soap opera-is with lots of angst and relationships and promises of revealed secrets. Nana may be heading toward an ending as bittersweet as a doomed romance, but with the promise of a sweet journey alongside the way.


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