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Scrubb: A Different Indie Approach
It is quite surprising to know that Thai indie band Scrubb in Thailand. ‘Surprising’ indeed since vocalist Muey Thawachpol Wongboonsiri and guitarist Ball Torpong Chantabuppha are grubby, sloppy musicians who flavor Beatlesque tunes with sympathetic lyrics. There are even no suggestions of rock star glamour to light them comparing to other, more vivid acts in the Thai music industry; although getting your way through their jam-packed venues during live performances might suggest otherwise. Scrubb’s latest release, Chood Lek (Little Collection), contains an appealing indie and a deliberate environmental cover. The tracks gathered in this ‘Best of’ album are remarkably catchy.
Their album opener, ‘Ter mhoon rorb chun chun mhoon rorb ter’ (You Revolve Around Me, I Revolve Around You), which is also their first single off the album is a more meditative merry marching beat of ‘Yellow Submarine’. The piano tinkles and cadence pa-pa-pas wrap up the gentle wonder evoked by the song. Muey’s ode to songwriting, ‘Pleng khong rao’ (Our Song), pulls up the hooks although at this time around he renders it with a knee-buckling gentleness. The song’s delicately soaring chorus accompanied by simple cool, clean lead guitars is more likely defines Scrubb’s music.
Another good play, ‘Glai’ (Near), launches with a riff that treads playfully before going into a fantastically careless, heartrending chorus. Just like Brit-folk duo Turin Brakes plus a hint of Norway’s indie band Kings of Convenience’s distinctive stillness - as the tune ‘Art Bar’ presents. The dazzling electronic flourishes and the consciously twisty melody collaborate like a dream’s afterglow: the dream’s heavy nevertheless buoyancy is tangible.
Most tracks in the Chood Lek sounds they were re-recorded or re-mastered; though as compared to the less effective production of previous albums, it seems like the older songs have a more passionate, acoustic flavor to them.
The best
introduction Scrubb music is their latest album, Chood Lekis.
Although the songs were written years apart, they have a fluid affinity with
each other which is not found in most ‘Best
of’ records. Even though the styles vary from bossanova to dreamy pop to
folk rock Source: Free Articles from ArticlesFactory.com
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