NEW YORK, NY – Chelsea’s Agora Gallery will feature the original work of Ken Wada in Unbound Perspectives. The exhibition opens June 10, 2017 and runs through June 30, 2017 with an opening reception on Thursday, June 15 from 6-8 pm.
Ken Wada creates ink works that incorporate a full range of free-flowing painting techniques. An accomplished painter who often works in watercolor and gouache as well,
Wada is interested in using the traditional medium of ink in innovative ways. He painted much of his recent work with raw tree limbs taken straight from his own garden. The work itself experiments with graphic simplification that is rarely part of the Japanese drawing aesthetic.
Wada’s pieces are abstracts that depend on both spontaneity and control. The brushstrokes are quick, repeated, and easy, while the overall layout keeps them contained. The marks are alternately flattened and heightened to create tension. The composition is pared down but explores repetition and proportion in sophisticated ways. Pieces often only contain the stark contrasting tones of black and white, which interplay in ever more intricate designs.
Wada was born in Matudo, Japan, currently lives in Tokyo, and maintains a studio in Kitakaruizawa, Japan. He has exhibited in England, Japan, and extensively in France, where he lived for several years.
Exhibition Dates: June 10, 2017 – June 30, 2017
Reception: Thursday, June 15,2017, 6:00pm - 8:00pm
Gallery Hours: Tues-Sat 11:00am – 6:00pm
Gallery Location: 530 West 25th St, Chelsea, New York
Event URL: http://www.agora-gallery.com/artistpage/Ken_Wada.aspx
Featured Artists:
Unbound Perspectives
Stephen Najda | Johanna Wray | Maribel Matthews | Saskia Weishut-Snapper | Ken Wada | Vinod More | Gita Levy | Alexander Adam | Shifra | Jolanta Talaikiene | Josefina Wendel Carlsson | Claudia C Forero | Carmen Félix
About the Exhibition
Unbound Perspectives
Unbound Perspectives, a group exhibition that spans new painting, photography, drawing, and even wood, opens this June at Agora Gallery. The show puts Japanese experiments with abstract textures in ink next to Mexican hyperrealistic oil portraits of real-life figures. There are fantastical manipulations of the female body in wood from Armenia and Indian contemplations of the infinite in acrylic. Side by side, the pieces challenge us to figure out what they have in common as much as they ask us how they are different. When artwork of this kind of range is presented altogether, an image of the state of contemporary art begins to emerge. Unbound Perspectives is essential viewing for anyone looking for a true survey of contemporary art that is far-reaching yet discerning.
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